Category: STYLE

Jack’s Q and A on writing while the rice boils

On Wednesday, December 7th, Deborah Allen blogmaster of writingwhilethericeboils  will run the first installment of a Q and A session with Jack Remick. Jack answers questions about writing practice, story structure, technique, and scene structure. Check it out at: Share this:TweetShare on TumblrEmailLike this:Like...

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Page Eight–Zen Poetics-The Poetics of Fiction 2

Page Eight–Zen Poetics–The poetics of fiction 2 ©2012 by Jack Remick and Robert J. Ray This is the Second Posting on Zen Poetics for Fiction Writers: A Golden Rule: Force the writer to create with power.  Zen Poetics: How to read a poem To read a poem, you must first HEAR it. Let the words roll out and over you. To read a poem, do this—tape yourself reading it then close your eyes and listen. Poems want to enter you as voice. Poems want to enter you as emotion. The voice enters you and you hear action and you see images. Story to the fiction writer is the big thing. Story moves in time. Image and action and compression are the big things to the poet. Compression means the poet squeezes out all the Unnecessary leaving only the Essential. Time is essential to story. Not essential to poem. The Unnecessary is any word or cluster of words in a line that impedes the image’s completion. Image is analogy. Analogy is metaphor. Her hair hung like copper wire Coiled on ashen shoulders Zen  Poetics Unearths Illusion Fiction writers get lost in language because language is deceptive. Clearing out the Unnecessary lets the writer show the story as it happens instead of telling the story in garbled mucked up prose loaded with embedded clauses and wondereds and imagineds and realizeds. The...

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notes from “Food for the Hungry Writer”

Some Notes on Memoir from “Food for the Hungry Writer” ©2011 by Jack Remick and Robert J Ray.   Not since the 18th Century have we seen anything like the flowering of memoir writing in our time. Is the hunger for memoir symptomatic of the Politics of the Individual? or are readers, fed up with fiction, turning to the trials and triumphs of real people for inspiration and validation? Accompanying the flood of memoirs is the journal, a personal kind of writing without form, without structure, without, necessarily, style. The memoir isn’t a novel yet it travels beyond journal. It has structure and form, it has inhabitants and villains, it has suspense and mystery as well as delicate, intimate, exploratory writing. History of timed writing. Automatic writing comes  from the Surrealists.  Robert Desnos taught the surrealists to write the waking dream; Jack Kerouac and the Beats loved automatic writing, blowing deep as outlined in Kerouac’s Twenty-One principles of Automatic Writing; Natalie Goldberg adapted automatic writing into Writing Practice when she put a timer on it.  In Taos, generations of writers learned timed writing, which leads to memoir. Natalie’s favorite line: I remember…. and its counter: I don’t remember…. First Rule: Always open up: let your hand guide your memory. It is in you, you have to get to it. Structure of timed writing: Write until the timer stops. Why? Writers have...

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Interview with Jack Remick by Joel Chafetz

A text interview where Jack and Joel Chafetz discuss Jack’s recently published novel, Blood. Published by Camel Press, Seatle, WA. (2011) This is an insightful reading that helps us understand Jack’s writing process and his complex storyline in Blood

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©2010-2017 Jack Remick, Robert J. Ray. All rights Reserved. Unauthorized use and/or duplication of this material, including text and images, without express and written permission from this blog’s author and/or owner is strictly prohibited. Short excerpts and links may be used, provided that full and clear credit is given to Jack Remick and Robert J. Ray and "Bob and Jacks Writing Blog" with appropriate and specific direction to the original content.