Rewriting, Editing, Scene Performance: Part One

This is Part One of a Three Part Series on Rewriting, Editing, Scene Performance ©2013 by Robert J. Ray Feedback  Congratulations. Your rewrite is done and you feel good about the manuscript. The story is solid, the subplots writhe like snakes under the surface, which is glassy-smooth. Now you’re smelling money, you’re tasting the tang of writerly fame. You want action. So you print the manuscript, find a literary agent on Google Search, and then you mail the manuscript off. Admonition: Before you send off your pages, get some feedback. The writing business is crazy. The worst mistake you can make is sending off a half-baked product. Definition Feedback comes when you hand your work to someone else and say, Can you please give me some feedback? When you ask for feedback, you give up control. Time to relax, pull out your trusty ballpoint, and take notes. Feedback opens up the manuscript, rips holes in the fabric of your prose. Better to sew up the holes now, before you send off the manuscript to an agent. There are four ways to get feedback: 1. Scene Performance. For feedback on a scene, recruit a group of friends – actors are better at scene performance than writers – and assign roles. Assign one reader for each character; assign one reader to read the narration (action and description). Keep yourself out of...

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